We are currently working on a film based on the flash fiction story A Hunger In The Night by M.R.Mathias, we need to raise £150 for the budget. Even £5 or dollars will make a difference. You can donate by clicking the donate button. Every person that donates will be credited in the film. Keep on rocking dudes!
Thursday, 23 February 2012
Film of the day
Sadly I havn't had time for film of the day but it will start up again in a couple of days!
Checkout my latest film!.....Demon In The Garden! this took me about a week to make with all the FX and music!
Demon In The Garden/Youtube
Demon In The Garden/Youtube
Thursday, 16 February 2012
Why not Submit! / or subscribe on youtube!
Oh if you want join the blog just go to the vey top of the page and you should see a long wite bock that says submit..
Just type in your email and press sumbit and then do what the computer says. Well that's if it says anything!
!!!
Just type in your email and press sumbit and then do what the computer says. Well that's if it says anything!
film of the day !!!
I'm so sorry that I didn't do film of the day today!
I had to go out yesterday and today...
BUT! I can do film of the day tomorrow!
I had to go out yesterday and today...
BUT! I can do film of the day tomorrow!
Tuesday, 14 February 2012
If you want me to make a new film idea you have..
If you enjoyed the diseased productions films I make over to the top left. Just subscribe to my channel on youtube for more.
And you can send a youtube message under one of my videos or send a peronal message about a new film you may want me to make!
And you can send a youtube message under one of my videos or send a peronal message about a new film you may want me to make!
What film do you want as film of the day?
If you would like a film to be the new film of the day just wright a post on my diseased productions blog.
Film of the day 14/02/2012
Rear
Window Alfred
Hitchcock
Rear
Window is about a character called L.B Jeff (James Stewart) a photographer with
a broken leg. He is trapped in his own apartment because of his injury. This
film takes you threw an adventure all inside the same house of Jeff. Watch Jeff
look at his Nabors as if it’s you. Jeff keeps looking out the window. He then
thinks that the married man across the road may have murdered his wife: has he?
Rear Window is an immersing film because
it keeps to the point of view of Jeff. You see what he sees. It’s as if when
Jeff looks out his window it symbolises you looking at the T.V while watching
Rear Window.
But
that all changes when Lisa Carol Fremond (Grace Kelly) goes out of Jeff’s
apartment. And then the monster across the road comes out of the T.V.
which
is a great shock with the great use of close ups such as: James Stewart looks
out the window, he see’s something then you see his reaction etc.
Over all I think Rear Window is a great
film because of the may you get immersed in it because of the way it’s all from
Jeff’s point of view.
Monday, 13 February 2012
Film of the day
Duel was Spielberg’s first major film, which was
made for the small screen initially. It was the film that started his career
and led to him making other films, like Jaws,
E.T, Indiana Jones etc.
Spielberg only had ten days to make Duel, which was considered impossible to
do at the time. In the end it actually took about thirteen day. Everything was
real in this film, so when you see explosions, crashes, smoke etc it’s not CGI.
Duel seems
to have many influences from Hitchcock, like the opening scene where it sticks
to David Mann’s(Denis Weaver’s) point of view using extreme close ups. For
example, you see through the windscreen what David Mann is looking at, then a close up of
his reaction, and then back to his point of view.
It’s
also interesting how even though the truck, in real life, was going around
40-50 miles an hour, they filmed it using a camera mounted on a car driving in
the opposite direction, which, along with the cliff wall in the background,
created the impression it was going a 100 miles an hour.
Denis
Weaver does a good job of portraying extremes of anxiety, and is particularly
effective as an everyman character who the audience can easily identify with.
I also liked the way Spielberg planned the
story. Rather than using a storyboard, he used an overland map with arrows
pointing to all the scenes in the film.
The
use of close ups reminded me of Hitchcock’s Rear
Window and North by North West. Duel
also has some excellent suspense, which
Spielberg admits that he owes to Hitchcock’s characteristic drawing out of
tension for as long as possible, such as the scene in the bar when he gives us
little clues about who might be the truck driver which makes David Mann even
more worried.
Spielberg masterfully builds tension upon
tension until the climactic scene which in many ways foreshadows the ending of
Jaws where the protagonist gambles
everything on one last desperate throw of the die.
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